dimanche 29 novembre 2015
lundi 26 octobre 2015
jeudi 6 août 2015
Richard Baker, responsable 3D pour Prime Focus World révèle les secrets qui se cachent derrière le passé, le présent et le futur de la 3D.
Pour connaître une fabuleuse histoire concernant le monde des effets visuels, il suffit de questionner Richard Baker de Prime Focus World. Après avoir commencé sa carrière chez les Royal Marines Commando, il a appris à se servir de Flame au sein du secteur de la publicité et est ensuite devenu compositeur pour des géants du VFX, tels que Cinesite, Framestore, The Mill et MPC, chez qui il est rapidement devenu responsable de la 2D.
mardi 17 septembre 2013
Avec le code ZDEPTHFUSIONFORFREE a entrer lors de votre commande, vous recevrez le lien pour télécharger le tutoriel "Vray Zdepth to Fusion anaglyphe" du site CGTEACH.NET !
lundi 9 juillet 2012
Toronto, Canada: July 9, 2012… eyeon Software Inc. announced today the shipping release of the highly-anticipated eyeon Connection® bridge to the AVID workflow. Strategically based upon AVID’s AVX2 architecture and eyeon’s 6.4 version release of Fusion™, Connection seamlessly opens the Media Composer®, Symphony™, NewsCutter®, and *Avid DS™ product lines to an infinite degree of creative possibilities.
Since Connection’s announcement at NAB 2012, the professional industry has seen an astounding response from the AVID community, including thousands of emails and forum posts:
“Eyeon Fusion Connection AVX plug-in will lead to a better world of node-based compositing from within an Avid interface”
“ka-boom! the nle war escalates, between... fusion and smoke”
“We have used Digital Fusion for years and have always wished our Avid would work like it in the composite modes with the tools of Fusion. We are excited.”
“eyeon Connection. Things are getting very interesting”
“I will 100% be checking it out because this is the game changer i think everyone has been waiting for.”
“Really smart move by Eyeon.”
“Fusion for Media Composer & Symphony is the big deal here.”
“It's very exciting to consider the possibilities. Having text burst into flame then morph into a supermodel--Fusion would definitely be my weapon of choice.”
“Adding Fusion to Avid is somewhat like the 'connectfx' nodal possibilities within Smoke2013, but still retaining the editing capabilities of Avid (e.g. Multicam, Audio Scrub, VO punch-in, 5.1 audio, Trimming etc).”
•Supercomputing node-based VFX and Stereoscopic toolsets directly accessed in the AVID timeline, auto-populating AVID clips.
•Simultaneous use of software on systems or network, with concurrent editing/rendering.
•Drag-and-drop simplicity with infinite scalability via 64bit GPU-accelerated compositing and motion graphics.
•Unprecedented Particle generation and access to 3D environment and virtual extensions.
•Server storage and importing/exporting process eliminated.
•Dimension’s optical flow and disparity mapping technologies define a superior level of fix-it-in-post and Stereoscopic solutions.
•VFX processing via multi CPU and GPU.
•Advanced Fusion toolset includes Primatte5.
•Fusion 6.4 delivers transcoding lab controlled by AVID and Fusion.
•HDRI floating point color pipeline.
•ARRI®, RED®, Phantom®, and other native camera formats integrated.
Pricing and Availability
Connection with AVX2 support is included as part of Fusion and Dimension 6.4 at no additional charge for current subscription owners. Please contact sales@ eyeonline.com for more information.
* Avid DS support available upon AVID release of DS 11 QFE1.
samedi 2 octobre 2010
"Created by AnOther Magazine with artist and filmmaker Baillie Walsh, KM3D-1 stars Kate Moss. The work continues Moss and Walsh's journey into experimental, multi-dimensional image-making, first seen in their legendary holographic film for Alexander McQueen's autumn/winter 2006 show.
With a performance that recalls the fantastical cinema of Ray Harryhausen, James Bidgood and Kenneth Anger, KM3D-1 places at its centre one of the most iconic female figures of the modern age. Suspended in time and space, Kate is caught inexorably in the parallax gap; a butterfly in a spider's web.
Captured at 1,000 frames per second – a speed so slow that movement is almost imperceptible – the beauty of Kate's face appears frozen, transforming her into an impenetrable deity. She is a figure of contemporary fantasy, shattering her own self-image.
Made with state-of-the-art Phantom cameras, specially built for the project to create extreme slow motion and a dramatic 3D effect, KM3D-1 reflects AnOther Magazine's raison d'etre: to champion creatives pushing the limits of what seems possible."