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lundi 26 octobre 2015

Seul Sur Mars making of

Réalisé par le maître de la science-fiction Ridley Scott, le film « Seul sur Mars » est une odyssée spatiale à ne pas manquer. Ce film raconte l'histoire de Mark Watney (Matt Damon), un astronaute laissé pour mort après qu'une tempête l’a séparé du reste de l'équipage lors d'une mission sur Mars. Seul et abandonné, Watney doit trouver le moyen de contacter la Terre et de survivre alors qu'il ne lui reste que peu de vivres. 20th Century Fox a fait appel à Prime Focus World pour la conversion en 3D de 15 minutes du film, effectuée à l'aide de leur workflow primé View-D et de Fusion Studio.

Lire la suite...

mardi 28 juillet 2015

Blackmagic Design Resolve 12 beta disponible

Blackmagic Design a annoncé aujourd'hui que la version bêta publique de DaVinci Resolve 12, un logiciel de montage et d'étalonnage professionnel, est à présent disponible au téléchargement sur le site Internet de Blackmagic Design.

De plus, Blackmagic Design a également donné un nouveau nom à sa gamme de produits DaVinci Resolve et a annoncé des fonctionnalités supplémentaires qui n'avaient pas encore été révélées publiquement jusqu'à présent.

Lire la suite...

mercredi 24 avril 2013

Deux breakdowns de VFX 3D par le studio Digital Golem

Deux breakdowns de VFX 3D par le studio Digital Golem:

Love Bite breakdown :

Let Me Survive breakdown :

samedi 23 février 2013

VIDEO: Avengers compositing breakdown

Quelques breakdowns intéressants dans cette vidéo de making of vfx du film The Avengers.

dimanche 4 mars 2012

VIDEO: Cartier L'Odyssée

Quelques éléments de compositing intéressant dans cette Odyssée. Un film réalisé par Bruno Aveillan et l'agence Marcel :

Retrouvez d'autres éléments dont le making of ici :

lundi 4 avril 2011

The Foundry au NAB 2011

The Foundry montrera la semaine prochaine, au NAB 2011, les nouvelles fonctionnalités du prochain Storm, Mari 1.3, Nuke & NukeX 6.3 (nouvelles splines, grid warpers, 3d particles, planar tracker, denoiser, piste audio scratch track, deep 3d compositing ...), et une preview de Katana.

Retrouvez The Foundry au stand SL5625 du 11 au 14 Avril au NAB, Las Vegas.

mercredi 1 décembre 2010

The Foundry launches open Beta for STORM

London, UK. December 2010. Leading visual effects software company, The Foundry, today launched an open beta of their brand new digital cinema camera workflow product, STORM.

the foundry storm

STORM addresses the growing complexity of shooting digital, performing a variety of core tasks on and near-set and bringing camera and post production closer together.


Quick and easy to operate, STORM can rapidly navigate and playback footage allowing producers, directors and editors to view takes in high resolution without interruption or delay.  Anyone who has done basic colour correction and editing will feel comfortable sitting with STORM and cutting together a rough edit or exploring a ‘look’ interactively with the cinematographer. Supporting the digital technician, STORM provides simple and intuitive metadata tagging and timeline re-conforming to ensure the exchange with editorial and post production is sped up significantly.


The Foundry is making this public beta widely available in response to the huge amount of interest shown in STORM since it was first shown at IBC this year. “STORM has been developed in very close collaboration with users, and the open beta is a chance to gain wider feedback - ensure that STORM lives up to expectations and continues to develop to meet the growing needs of the digital camera community.  The Foundry looks forward to seeing the STORM platform grow to deliver new and exciting things in the future .”  said Richard Shackleton, Head of Product Development at The Foundry.


The STORM beta can be downloaded from and is FREE to use until the 1st March 2011. It requires a MacBook Pro, Mac Pro or iMac with at least 2GB RAM running OSX 10.6.4 or later. STORM is optimised for RED R3D footage and will use a RED ROCKET card if one is installed.


Ted Schilowitz, Leader of the Rebellion at RED, adds:

“Having seen STORM in detail, I’d describe it as REDCine-X on steroids.  Well worth the time to investigate it's capabilities if you are involved in post production, working with RED footage.  The Foundry have looked at RED workflow in great detail and taken logical integration with RED to a very evolved state.  We’re very excited that those shooting and posting RED all over the world will soon have access to this software.”


More information about STORM including case studies and introductory videos can be found on our website

Lightworks 2010 opensource disponible

Le premier logiciel de montage que j'avais pu tester chez France Televisions il y a maintenant 11 ans est disponible désormais gratuitement en opensource. Voici les specs actuelles, en anglais :

Academy® and Emmy® award-winning Lightworks was introduced in 1989 as the first and most advanced non-linear editing system on the market. Used by editors such as Chris Gill and multi Oscar-winning Thelma Schoonmaker, Lightworks offers intuitive controls, advanced real time effects, 2K native support with DPX or RED, and multi-camera editing features that remain unmatched. With wide support for codecs, including EditShare’s Universal Media Files, Lightworks achieves a level of unsurpassed interoperability by offering seamless media sharing with Avid and Final Cut Pro. This new workflow enables Lightworks artists to collaboratively edit projects with a much wider group of editors.
Feature Highlights:


AVI, QuickTime, MXF, DPX and RED R3D, DV, DVCPRO 50, DVCPRO HD, XDCAM HD, XDCAM EX, P2, AVC Intra, DNxHD, ProRes. Real-time up and down-scaling, from SD to 2K.

Advanced multi-cam editing with unlimited sources and dual-SDI outputs, so you can simultaneously view your source angles in sync with your edit.

Support for Adobe After Effects, Boris, Combustion, Sapphire and many more.

Real time video and audio effects, including primary and selective colour correction, are all guaranteed in resolutions up to 2K, thanks to Lightworks powerful GPU based effects engine.

Sub-frame audio editing, direct-to-timeline voice over tool, Mackie protocol support, real time playback of mixed sample and bit rates, and guaranteed real time multi-track audio.

The most advanced Project Sharing capabilities available, allowing editors to access each others’ work with the click of a button. Instant Save technology ensures you’ll never lose your work again.

Full-screen video output through a DVI-attached LCD display, with support up to 2K Full Frame, offering an inexpensive monitoring option, with no need for SDI hardware.

Lightworks is the only NLE available to offer multi-channel ingest, with support for synchronised capture, making it ideal for advanced 3D Stereoscopic projects.

Plus d'informations (dont téléchargement) à ce lien

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