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lundi 30 novembre 2015

On a testé Blackmagic Design Davinci Resolve Studio 12

On a testé Blackmagic Design Resolve Studio 12, et c'est juste une tuerie ! Lisez plutôt ...

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lundi 22 décembre 2014

2K 4K UHD disponible dans Avid Media Composer !

Avid Media Composer permet désormais de monter en temps réel en UHD, 2K ou en 4K grâce au nouveau support de leur dernier codec DNxHR LB / SQ / HQ /HQX 10 bit / 444 avec de nouveaux framerates tels 47.952, 48, 50, 59.94 & 60, le tout dans des espaces colorimétriques Rec. 709, BT/Rec. 2020 ou DCI-P3. Bref tout pour être heureux ce soir.

La mise à jour est disponible sur le site d'Avid dans la section Video Download Center ou via votre Avid Application Manager.

Plus d'infos en anglais sur le site Avid Blogs : http://www.avidblogs.com/editing-4k-in-media-composer-software-now-available/

jeudi 18 septembre 2014

Démonstration Flame 2015

Mercredi 17 septembre, la société Post Logic, qui distribue des softs et systèmes de post-production comme Flame, nous a permis de découvrir quelques nouvelles fonctionnalités du système de compositing Flame Premium 2015 grâce à l'expertise d'Alexandre Dupoux et de Philippe Soeiro, Lead Product Designer chez Autodesk.

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vendredi 11 novembre 2011

Eyeon Fusion 6.3 disponible

Eyeon Fusion 6.3 disponible. Une vidéo montre ses nouvelles fonctionnalités :

Informations et téléchargement de Fusion 6.3 ici Press release en anglais : eyeon Speaks Deep Volumes with Fusion 6.3 Toronto, Canada: November 8, 2011… eyeon Software, a forerunner of visual effects software development, today announced the official shipping release of Fusion 6.3. Fusion's GPU-accelerated architecture and OpenCL supercomputing, as exemplified by the deep image volume technology, offers state-of-the-art VFX software advancements with this latest edition. Volumetric Lighting One of the most requested features within the Volume Fog Tool has been volumetric lighting. Adjusting 3D scenes within Fusion’s real time deep volume system and integrating the volumes directly into images with the World Position Pass tool provide an unsurpassed methodology for controlling light samples, scattering, asymmetry, and density. These volumes can be generated inside Fusion or imported via EXR. "Marvelous! Thanks guys!" ~ Pieter Van Houte, Director, Steak Under Water Color Science Advances in color handling and new color tools in version 6.3 make color matching, profiling, and working with diverse cameras and Digital Intermediate systems seamless. • THX® advances support for Fusion in their latest release of Cinespace™. • Fusion adds Academy Color Encoding Specification (ACES) linear color space to its color pipeline. • New automated color correction reversing and color grading capabilities. • Versatile 3D LUT creation, analysis, and design tools. “In reality, the whole feature set comes with a lot of new improvements that will impact us on a daily basis. Every time we get new release notes I get a nice warm feeling inside.” ~ Chad Capeland, Director R&D, Anatomical Travelogue LLC Primatte 5 Primatte 5 provides vastly improved auto compute and background color selection, background lighting adjustment, and hybrid rendering. Lens Distortion with the importing of data and a number of various lens models, the Lens Distort tool implements the 3D equalizer lens distortion model to invert or undistort an image. The data can then be imported into Fusion for the most accurate results. AJA Kona Support AJA Kona 3G playback support, including 4k and 48fps playback. “Awesome. Thanks for the hard work!” ~ Stefan Ihringer, Freelance Compositing Artist eyeon has pushed the development of Fusion 6.3 to possess an authentic 3D environment with camera/lighting support for leading 3D packages and one of the most powerful and intuitive 3D particle systems on the market. With hardware-accelerated 3D capabilities, you can now migrate from pre-vis to finals within the same application. eyeon's Fusion is a true synergy of 2D and 3D tools for precise compositing.