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S3D-Relief

Section autour du relief que cela soit via l'anaglyphe en rouge et cyan ou par toute autre méthode. Apprenez comme cela marche et comment convertir vos images et films en relief.

Fil des billets - Fil des commentaires

jeudi 6 août 2015

INTERVIEW: Richard Baker, responsable 3D pour Prime Focus

Richard Baker, responsable 3D pour Prime Focus World révèle les secrets qui se cachent derrière le passé, le présent et le futur de la 3D.

Pour connaître une fabuleuse histoire concernant le monde des effets visuels, il suffit de questionner Richard Baker de Prime Focus World. Après avoir commencé sa carrière chez les Royal Marines Commando, il a appris à se servir de Flame au sein du secteur de la publicité et est ensuite devenu compositeur pour des géants du VFX, tels que Cinesite, Framestore, The Mill et MPC, chez qui il est rapidement devenu responsable de la 2D.

Lire la suite...

dimanche 27 février 2011

Tutorial : ZDepth (Vray) vers Eyeon Fusion pour recréer du relief en anaglyphe

Un nouveau tutorial de CGTEACH.NET est disponible à cette page : http://cgteach.net/shop/catalog/browse?shop_param=

Un tutoriel de 7 minutes en français expliquant comment utiliser seulement deux passes de rendus issus de Vray pour 3ds Max afin de créer un effet de relief stéréoscopique en utilisant les outils anaglyphe dans Eyeon Fusion.

L'intérêt de ce tutoriel est de montrer la possibilité de recréer du relief à partir de seulement deux couches : diffuse et zdepth. Pratique pour des anciens projets dont vous avez gardé certaines couches de rendu sans avoir accès aux sources 3D, afin de les convertir en relief quel que soit le mode.

jeudi 20 janvier 2011

PACE adds three more Sids for 3D


With demand for 3D production continuing to rise, 3D innovation company PACE in Burbank recently added three more Quantel Sid Stereo3D workstations to its arsenal. This purchase brings the Stereo3D pioneer's complement of Quantel S3D systems to a total of seven.

The new additions are currently supporting multiple productions: 'The Three Musketeers', 'Final Destination 5' and 'Journey to the Center of the Earth 2'.  PACE already has placed a Sid Stereo3D workstation on the set of Michael Bay's 'Transformers 3' and a Pablo Stereo3D grading system for Martin Scorsese's 'Hugo Cabret'.

Vince Pace, CEO of PACE, has long been a believer in Quantel technology. "Quantel personifies quality engineering, equipment and support," says Pace. "Our latest purchase is an ongoing validation of the relationship between Quantel and PACE to provide proven workflow solutions at the point of capture and ensuring that exceptional 3D gets on screen. The Sid's unique ability to QC the footage at the point of capture is an added benefit that productions are taking advantage of."

PACE created the company's "SLATE² SCREEN(tm)" effort to achieve superior 3D results in a more cost-and time-efficient manner. The workstations are the heart of PACE's On-Set Stereo Lab(tm) workflow, which provides interactive 3D control in the field and during dailies for the cinematographer and director.

 The Sid toolset includes real-time Stereo3D operation at up to twin HD-RGB, with full, interactive control of convergence, color balance, sync alterations, eye comparisons, imaging errors and editing of both streams simultaneously.

samedi 2 octobre 2010

KM3D-1


"Created by AnOther Magazine with artist and filmmaker Baillie Walsh, KM3D-1 stars Kate Moss. The work continues Moss and Walsh's journey into experimental, multi-dimensional image-making, first seen in their legendary holographic film for Alexander McQueen's autumn/winter 2006 show.

With a performance that recalls the fantastical cinema of Ray Harryhausen, James Bidgood and Kenneth Anger, KM3D-1 places at its centre one of the most iconic female figures of the modern age. Suspended in time and space, Kate is caught inexorably in the parallax gap; a butterfly in a spider's web.

Captured at 1,000 frames per second – a speed so slow that movement is almost imperceptible – the beauty of Kate's face appears frozen, transforming her into an impenetrable deity. She is a figure of contemporary fantasy, shattering her own self-image.

Made with state-of-the-art Phantom cameras, specially built for the project to create extreme slow motion and a dramatic 3D effect, KM3D-1 reflects AnOther Magazine's raison d'etre: to champion creatives pushing the limits of what seems possible."

vendredi 4 juin 2010

Anaglyhe 3d sphere test

mardi 26 janvier 2010

S3D: Animation d'information sur le relief